Procesadores
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Procesador de Sonido
Revolutionary instant encode / decode type iii® noise reduction in-circuit at the push of a button. Increases s / n ratio by up to 20db patent-pending peakplus™ limiter threshold range from 0dbu to +24dbu (off) can transparently tame the wildest hits o |
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Procesador de Sonido
Revolutionary instant encode / decode type iii® noise reduction in-circuit at the push of a button. Increases s / n ratio by up to 20db patent-pending peakplus® limiter threshold range from 0dbu to +24dbu (off) can transparently tame the wildest hits o |
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Procesador de Sonido
Overeasy® or classic hard knee compression with dbx´s® ultra-musical program dependent attack and release times compression ratio variable from 1:1 through infinity :1 to negative compression precision dual rms led display monitors input or putpu |
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Procesador de Sonido
Switchable boost / cut ranges of ±6 or ±15 db electronically balanced / unbalanced inputs servo balanced / unbalanced inputs rf filtered inputs and outputs xlr, barrier strip, and 1 / 4` trs connectors -12db / +12db input gain range 18db / octave 40h |
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Procesador de Sonido
Four independent channels of operation, stereo linkable in two pairs peakstopplus™ limiting control for setting maximum allowable level regardless of compressor settings independent threshold and release controls switchable overeasy® or hard kn |
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Procesador de Sonido
The dbx® 286a´s mic preamp and five processors can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? the dbx 286a´s sonically pristine mic preamp has all the features you need, including wid |
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Procesador de Sonido
Most compressor / gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266xl ensures that both its compression and gating provide ve |
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Procesador de Sonido
Most compressor / gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166xl ensures that both its compression and gating provide ve |
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